I have quite a few pictures of parking lots. They are are an overlooked resource for photographers. Perhaps someday I’ll convince a publisher to put them out as a coffee table book, America’s Most Scenic Parking Lots. I shall be the Ansel Adams of parking lots. Yes, for sure. For now, however, I’m still building inventory, and the other day I took one in a parking lot in Coyote Hills Regional Park near San Francisco Bay. It had the potential for high drama, at least as parking lots go.

Lake Tahoe is the largest alpine lake in North America. It spans the border between California and Nevada, southwest of Reno. One of the streams feeding the Lake forms Eagle Falls as it cascades into Emerald Bay on the California side. The top of the falls is only a few feet from the road, but I had driven by several times in the past without noticing it; waterfalls are not so exciting from the back. On a cold day in mid-May I took a two-frame panorama, looking towards Emerald Bay. The scene had interesting elements, but lacked punch. That is, until I unleashed the Topaz Labs Spicify Photoshop plug-in filter.

Sometimes the world does not give you much to work with. It’s a good principle in travel sequences to include photos that show what it was like to be at the location. However, while large waves out in the ocean may be integral to the site, photos of distant waves lack drama … and just about every other aspect of photo appeal. One trick is to show tourists reacting to the attraction, rather than just the attraction itself.

Photoshop™ has a number of built-in filters that attempt to convert photo images into artistic renditions. Previously I discussed posterization, sometimes followed by the palette knife filter, to punch up weak scenes. Recently I obtained some Photoshop filters from Topaz Labs, including the Topaz Simplify 2 filter set that includes a Painting option. My test cases were some photos of flowers that seemed to me to have potential, but needed punching up. I have come away a fan of the Topaz paint options.